Nolan Palmer
- Performance TypeOn-Camera
- GenderMale
- Age Range50-65


| Height | 5' 10" |
| Weight | 175 |
| Hair | Brown |
| Eyes | Brown |
| Shoe | 11 |
| Shirt | 17 X 35 |
| Pants (men) | 34 x 32 |
| Jacket | 44R |
RESUME
Film & Television
| Folktales of Conflict and Peace | Various | Early Autumn Pictures |
| The Island of Dr Moreau | Moreau | Global Stages Productions |
Corporate Video
| Boeing, Training Video | Office Manager | Boeing |
Voiceover
| Return of the Tuna | Ensemble/Various | KUER/NPR (UT) |
| Pilgrim’s Problems | Albert What | KUER/NPR (UT) |
| I Don’t Want the Rice to Knock Me Down | Ensemble/Various | KUER/NPR (UT) |
Representative Stage Roles
| Freud’s Last Session | Sigmund Freud | Taproot Theatre |
| The Odyssey | Actor 2 (Zeus) | Taproot Theatre |
| The Great Divorce | George MacDonald | Taproot Theatre |
| Giant | Horace/Ensemble | Book-It Theatre |
| The Trial of Ebenezer Scrooge | Scrooge | Taproot Theatre |
| Tuesdays With Morrie | Morrie Shwartz | Taproot Theatre |
| Courtly Love | Edweard | The Rep. (UT) |
| Around the World in Eighty Days | Passepartout | Taproot Theatre |
| Over The River and Through the Woods | Nunzio Cristano | Taproot Theatre |
| Black Coffee | Hercule Poirot | Taproot Theatre |
| Born Yesterday | The Senator | Village Theatre |
| Arthur: The Begetting | Uther Pendragon | Taproot Theatre |
| Balmoral | McNab/Walpole | Taproot Theatre |
| Sticks and Bones | Ricky | Theatre 138 (UT) |
| Ah, Wilderness! | Sid | Taproot Theatre |
| Voice of the Prairie | David/Poppy | Taproot Theatre |
| Vietnam Diaries | Soldier | Empty Space Theatre |
Education
| B.A. In Acting/Directing, English Emphasis in Grammer, Linguistics, Dialects | University of Utah | |
| Directing | H.E.D.Redford, Ariel Ballif (UT) | |
| Stage Combat | Bob Borwick | |
Skills
| Dialect | French, German, Italian, UK (Scottish, Welsh, Liverpool, RP, Cockney), American Regional (Northeast, Georgia (Atlanta), Virginia, Texas, Midwest) | |
| Sports | Golf | |
| Other | Building Construction, Auto Mechanics. | |